Flavor of the Week #9

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Clock DVA
www.anteriorresearch.com/
( ;D --> Clock DVA are an industrial music, post-punk and EBM group from Sheffield, England. The group was formed in 1978 by Adolphus "Adi" Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat of Anthony Burgess' A Clockwork Orange. Dva is the Russian word for "two". Newton had previously worked with members of Cabaret Voltaire in a collective called The Studs and with Ian Craig Marsh and Martyn Ware in a band called The Future.)
Clock 2
CD_Spotify
clockdva.bandcamp.com/
See also:
barlemusic.blogspot.se/2013/08/flavor-of-week-32.html
And:
barlemusic.blogspot.se/2007/02/flavor-of-week-08.html

Dave Tipper/Tippermusic
www.Tippermusic.net
soundcloud.com/tippermusic
www.facebook.com/tippermusic
( ;D --> David Tipper, or Tipper for short (born c. 1976, Wimbledon, London) is a British composer and producer specialising in electronic music that ranges from ambient, through trip hop, to uptempo nu skool breaks. His live performances consist largely of his own unreleased compositions, and he is noted for scratching his own sounds over his music, creating a live element of turntablism stemming from prowess early in his career as a vinyl DJ. Tipper is widely respected as a Surround Sound composer[by whom?], releasing one of the first albums composed, produced, and intended for the DualDisc format, in addition to providing content for multichannel music industry leaders DTS, Inc.. His talents at sound design (his work is included in several of the major music making software programs), and in digital audio mastering, are also in great demand. His catalogue has been consistently licensed for use as background in a variety of mainstream television programmes, and also featured in commercials and cable television projects. Tipper was 'discovered' as a teenager DJing in a London nightclub by soon-to-be manager Richie Warren. Their earliest conversations centred on bass frequencies and rhythms underlying beats, and they began researching the science involved in creating the most effective dance music. Richie founded Fuel Records (UK), and Tipper released the first of several vinyl EP's in 1997. Renault licensed one of these, Twister, for a European ad campaign. Soon thereafter, Sony UK signed Tipper to their fledgling dance music label, Higher Ground.)
Fathoms
soundcloud.com/tippermusic/sets/fathoms-ep
tipper.bandcamp.com/album/fathoms-ep

Deutsche Bank
deutschebank.bandcamp.com/
www.facebook.com/deutsche.bank.5
soundcloud.com/deutschebank/
( ;D -->Here is an interesting discovery for those who like some strong techno-pop à la Kraftwerk with a rhythmic sauce a bit diluted in the very harmonious synth-pop. A project from Mats From which saw the light of day at the beginning of 2009, Deutsche Bank is inspired by the electro-pop years when groups such as Logic System, Ultravox, Gary Numan and Human League have softened the heavinesses technoïd structures from the Düsseldorf's quartet.)
Transmission
deutschebank.bandcamp.com/
DB_Spotify

Leæther Strip
www.myspace.com/leaetherstrip
www.leaetherstrip.com
( ;D --> According to founder Claus Larsen, Leæther Strip is, and always will be, only him. Larsen was born on November 13, 1967 in Aalborg, Denmark. He first released music under the name of Leæther Strip in 1989. However, his 1995 release G.A.W.M.U.S. (Getting Away With Murder U. S.) included two early demos from 1982 and 1984, with the latter forming the unknown beginning of the band according to an interview conducted with Claus Larsen. In 1991, Larsen created a side-project called Klute in which he also remained the sole member. It can be argued, and is by many, that the sound of Leæther Strip throughout the early 1990s helped define what is today known as electro-industrial. In a search performed on MySpace on December 1st, 2008, 294 bands had listed Leæther Strip (or "Leather Strip") as a musical influence, although the true number of bands influenced by Larsen's work is undoubtedly much higher. In 1994, Claus Larsen drastically changed the sound of Leæther Strip, with the release of a synthesized semi classical album. Conceived as a soundtrack to a fictional film, it was named Serenade for the Dead. The releases since then have reincorporated electronic dance elements, and have redefined Leæther Strip into what Larsen calls, "symphonic electro".)
Teenage Demo
leaetherstrip.bandcamp.com/album/teenage-demos
See also:
barlemusic.blogspot.se/2014/02/flavor-of-week-9.html
And:
barlemusic.blogspot.se/2013/02/flavor-of-week-8_15.html
And:
barlemusic.blogspot.se/2010/07/flavor-of-week-29.html
And:
barlemusic.blogspot.com/2008/02/flavor-of-week-7.html

Lorn
www.facebook.com/lornnn
www.myspace.com/lornnn
ninjatune.net/artist/lorn
( ;D --> At the forefront of a new generation of hiphop-leaning electronica producers, Lorn comes branded with the Flying Lotus seal of approval. Lorn, dropping the dynamic hiphop electronica with impressively powerful synth arpeggiations between scuttling drums and digital strings, benefitting from a mastering job by Chris Clark, with slow and grinding hiphop rhythms rubbed with basalt horror synths and advanced digital processing. fans of everything from NIN to Gaslamp Killer should check )
The Maze to Nowhere/Part 3
lorn.bandcamp.com/
See also
See also:barlemusic.blogspot.se/2014/08/flavor-of-week-35.html
And:barlemusic.blogspot.se/2012/06/flavor-of-week-26.html
And:barlemusic.blogspot.se/2011/01/flavor-of-week-4.html



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